In a society where mass market products are designed to be disposable, decent audio equipment is a great investment. In the mobile phone industry, market leading products like the iPhone are released every single year with supposed improvements and add-on
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In the Q Acoustics speaker, the idea is that the structure (supported by tension) eliminates vibrations going from the speaker down (and the floor up), so you can get great sound out of a floor-stander, without it being the size of the monolith from 2001: A Space Odyssey
It doesn't hurt that it comes in a mid-century finish (the cabinet is real wood), with deliciously retro touches such as clicking metal switches that make you feel like a World War II radio operator. Vinyl is half about the look and feel, after all, so it does all help.
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In the same way that a car enthusiast might admire a Lamborghini or a film buff might love watching a Blu-Ray DVD on a 1080p screen, music lovers just can't get enough of high-end audio.
These are the audiophiles, a group of people who just aren't content with the free earphones that come with the purchase of an iPo
Music is also similar to the car industry in the way that older is sometimes better. Many old Ferraris and Aston Martins are coveted by collectors in the same way that 20 to 30-year old audio players are deemed valuable item
Unlike the average one-lump speaker, it's actually a proper stereo, housing two full-range drivers plus a long-throw woofer. But it's equipped for our wireless age with a Bluetooth connection (for pairing with smartphones), although it's lacking the fancy stuff like Spotify Connect. There are ports for a 3.5mm connector and USB hi-end audio, vivaldiaudio.com,, so you can also plug in a CD player or even computer.
Hence gizmos such as Klipsch's bafflingly titled The Three II speaker, which has a phono pre-amp built in (so you can plug in a turntable directly, without having to slog back to the hi-fi shop to buy an extra piece of kit).
It sounds splendid, of course, and it helps to soothe the techno discomfort of adapting to vinyl, although you'll still face the shock of having to walk across the room to flip a disc from side A to side B again.
One of the first questions that pops into your head after you unbox a record deck and some alarmingly expensive records that you previously bought for hi-end audio about £2 in the Eighties is: ‘What do I plug this into again?'
In the Q Acoustics speaker, the idea is that the structure (supported by tension) eliminates vibrations going from the speaker down (and the floor up), so you can get great sound out of a floor-stander, without it being the size of the monolith from Stanley Kubrick's 2001: A Space Odyssey.
So in many ways, Q Acoustics' new Concept 300 speaker is quite restrained: the surreal part is that it comes on a metal tripod that looks like an artist's easel, using ‘Tensegrity' technology first seen in the floating ‘Skylon' tower at the Festival of Britain in 1951.
The art of pairing hi-fi separates (and boring friends and neighbours rigid about it) seems to be lost in time, along with other ancient techno skills such as tightening up the tape on audio cassettes with an HB pencil.
For people who love music, a decent system is actually a fantastic investment. Let's say you've seen a system that costs 1,000. Bit on the pricey side, right? After all, it's only a piece of equipment that you can listen to music on. But these high-end audio systems can last well over 20 year